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Writer's pictureSpike Woods

CHORUS OF THE DAWN. Second part.

perhaps the sun

rose up upon a different day,

upon a long

night through

hills and

haybarns,

toiling

along moonlit

roads by

trees, even

the nightingales

sang a

different song

and

the riverslope,

every blade

shimmering,

falls in the

river like

a caved in

bank

but the dawn

in a moment

walks across

a hillside

and

each shadow

climbs back

into shape,

each gnarled oak

becomes

newborn

you walk

on a pattern

black and

intermixed

no more,

only the grass

with its daisies

grows

as the road

disappears

in the valley,

the long

trek back

begins

like the sharp

crack

of dry bracken

in a forestland

startles

the white

brilliance in

the sky

is no flare,

is no illusion –

why, even the birds

know

do you see

a bicycle against

the hedge

and the magpies

fluttering

in the scattered

field,

each grass

glittering

with a bead

of gleaming

dew –

there, the glaring

oak stands

where the

clematis bucks

and crannies

in the white

fluted cup

of its

joyful running

now high in the

sky

different shelves

of cloud

appear and crowd

sweeping with

great sheets

of air,

for there the

dawn

rings hollow

breathless

a plunging

drifting shiftless

lunging

staircase,

and time

climbs one by

nine

in the soaring

fronds of

each stair

do you remember

the whiteness

of full summer

through your

suffocating bed,

the tent doors

sodden with

gobs of damp

along the creasing

canvas

and the smell of

the wet fields

and the fog

lying down the

mountain

in a clogging

shield . . .

but the

early fresh

smell of

cloverheads,

the thick aroma

of a newpicked

mushroom

and the dry-wet

crust of cow

dung coming

down the

smell of

august sea,

faint over

the fishworn

headland,

rocky in the

sandy lobster

huts,

secret in

the locked caves,

rising in the

dawn wind

blowing over

the old paths

and cow-gates

and near-ripe

corn ears

they hear in

their wet beds

the badger move

homeward

along the island

road . . .

they hear

the wasps

awaken in a

whirring activity

of wings

as they plunge

through the dew

cover of their

burrow

they hear

the duck

rustle in the

moor-swamp

and their cries

rise clear

over the muddy

alders

halfway up the

hill wood a

fox turns

in its run

and noses in

the sounds of

morning

vibrating

through the

mountain –

then it tucks

its ears

and ducks

under the

roots where

its musky

den shoots

black and dry

into the stony

earth

perhaps

they would have

seen you walk

in the wood above

the rose-field,

early in the green

wheat,

their mellowness

ringing in the

brown down

of the deep

thicket

where the mist

whirls and

lifts

and the midnight rides

over sunrise

if you thought –

it was grey

and bleak

beneath the

beaking

branches,

infusing

the squirrel’s

colour

into the

chameleon trees,

and only in the

morning were

the early screamings

heard, the

half-glimpsed

net of dimpled

light, gold

backs and

right between

the hollow wood

the shapes

against the

sky

these were

the new mornings –

but lying in the

thicket

they would have heard

the heavy rumblings

in the air

and the heaven’s

grumbling thunder –

and from a hedge

you would have watched

you know where

the hump bridge rears

in the stomach

of water, shot

clean over the shelf

of rain –

you know the long

path and the brickyard

marsh where a

long-footed coot moves

among the furthest

curled reeds, a ride

cock trembles in the

furtive thorn that

scrambles up the

bank to the current-

road canal

then in the rubbly

dawn the first wreck

of song, a deep brown

coveted glister cry from

the roaded grey like

the black sea rushing;

like the trundle and

thud of ancient transport

on the far side

of the false wall

in the sleep-lie . . .

a guttural whistle,

a contradiction,

and the broke is

up, dipping along

the clustered drag,

swip-free and merry

to a morning fresh-sour

and apple-treed and

pheasant-flapped,

sung high though

the black veil be just

slid from the trees’

faces, swung

low, sweet, carried

out by the arms

of others

well, then, you

have seen

the village daybreak;

show me the farmer

and the milkman and

the bluetit and the

long reflecting canal,

extend to me

the welcome you have

known, the beckoning

hand, the couch of

grass, the sleep

of naturality,

the fill

and the heard scream,

the lumbering cow’s

all-seeing eye, and

the thrice-cock’s swooping

glide . . .

she sees, and she

knows; but where

is the creeping

hand, enveloping and

reassuring, that tells

us of the wild realm,

the kiss, and the

sun in man?

in the waving

call of the highest

tree, moving through

the forest, over

the hill brow,

and into the sky

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